Horsin Around: A Gravity Falls Spec Script

INTERIOR: MYSTERY SHACK TV ROOM
WE OPEN ON THE KIDS WATCHING TV. MABEL IS ON THE FLOOR,
DIPPER ON THE T-REX WITH A BOOK, SOOS IN THE CHAIR, AND
WENDY ON THE ARM. IN THE FOREGROUND, THE TV PLAYS. IN THE
BACKGROUND, STANDING IN HIS BOXERS AND TANK TOP IN THE NEXT
ROOM, STAN GESTURES EXCITEDLY, BUT WE CAN’T HEAR HIS WORDS.
                    DIPPER
          Didn’t this just have its season
          finale? Like, last week?
                    MABEL
          Children’s television is a bizarre,
          mysterious art. Who knows how these
          things get scheduled!
                TURN TO THE TELEVISION PREMIER OF DUCTECTIVE
Ducktective walks into the Chief’s office in bad shape -
hobbling on a little duck crutch with visible bandages
poking out of his little duck hat. The chief sits behind a
broad desk with a chair in front, and watches the little
duck enter, then struggle to get on the chair. Taking pity,
the Chief gets up, picks the duck up, and places him on the
chair. Then, on second glance, the Chief comes back and
places some books beneath the duck so he can see over the
desk.
                    CHIEF
          Ducktective, back in the pond, eh?
          even if you run afoul of trouble,
          you’re the one duck I can count on
          to follow the crumbs. What do you
          have for me today?
                    DUCKTECTIVE
               (quacks a number of times)
          Danger’s just water off my back,
          Chief. Nobody ducks justice, not my
          brother, or his criminal web.
                    CHIEF
          But, there’s only one bird that
          fits your brother’s bill. How can
          you be sure there are others
          involved?
                    DUCKTECTIVE
               (quacks a number of times)
          To pull a job this big, he’d need a
          whole flock.

(CONTINUED)

CONTINUED:

2.

                    CHIEF
          Then it’s true what they say: Birds
          of a feather...
                    DUCKTECTIVE
               (A single quack)
          Murder together!
                    TV VOICE
          We’ll be right back to the season
          premier of Ducktective after these
          messages!
                 TURN BACK TO THE CREW; STAN HAS JOINED THEM
                    DIPPER
          This got dark, fast.
                    TV VOICE
               (with an appropriate alert)
          Breaking news!
                                      WE TURN BACK TO THE TV
Toby Determand stands in front of a shining, golden gate at
the edge of town that reads "HORSE DISTRICT". Toby narrates
as the camera pans to reveal a scene of relative carnage - a
massive trailer has overturned spilling horses all over the
road outside the district. The horses are all fine, of
course - some are tangled in a big ball, some are stuck in
trees and bushes, others jut out from the trailer at odd
angles - but in the chaos of the Police attempting to herd
the horses back to the district, we can also so a visibly
angry Pacifica Northwest in a large gown running too and
fro.
                    TOBY DETERMAND
          I’m just outside the Horse district
          where an overloaded horse trailer
          spilled on its way to our annual
          "Queen of Horses" parade! We’ve got
          reports of ruptured mares all
          around, and while authorities are
          working to reign in the horses,
          they fear some fillies won’t be
          found!
               (a horse walks up and begins
               to chew on Toby’s arm)
          We’re all champing at the bit for
          the start of the parade, the
          fanciest equestrian debutante ball
          in all of Oregon, and I hope
          today’s tragedy doesn’t "mare" our
          celebration!

(CONTINUED)

CONTINUED:

3.

                    PACIFICA NORTHWEST
               (walks up, grabs Toby’s mic)
          Like, it better not! Nothing, not
          any horse, person, or like,
          supernatural combination of the two
          will keep me from my crown! The
          Queen of Horses parade will, like,
          continue, and that crown will be
          mine. Proving yet again that I’m
          the best person in this hillbilly
          sweat-hole.
                      TURN BACK TO THE GROUP WATCHING THE TV
Mabel has moved so close to the TV screen that we can’t see
her pupils, only the horses reflected in her eyes. She
repeats the word "pony" over and over.
                    STAN
          Oh the horse-manity! Did you kids
          hear me? I said horse-manity, get
          it? See, I replaced human with
          horse and - oh, forget it. Hey, you
          kids ever wonder where I get the
          animal parts for my exhibits?
                    MABEL
               (Without turning to look back,
               resuming her repetition of the
               word "pony" after.)

Dumpster?

                    WENDY
          Dumpster?
                    SOOS
          Things you hit with your car?
                    DIPPER
          Aren’t they all cobbled together
          from pre-existing taxidermy
          you...buy?
               (Stan shakes his head)
          Find?
               (Stan keeps shaking his head)
          Steal?
                    STAN
          You’re all wrong. I get them from
          my veterinarian buddies in town,
          Dr. Marrow and his assistant!
          Though, I should start hitting more
          things with my car.

(CONTINUED)

CONTINUED:

4.

                    WENDY
          I didn’t know you were friends with
          Dr. Marrow of The Island Pet
          Paradise, Gravity Falls’ animal
          hospital. He doesn’t seem like
          you’re kind of... friend, you know
          since he’s so cool and so chill. He
          runs weekly pet chakra
          re-alignments and you...probably
          ate some lucky chakra this morning.
          His Assistant on the other hand...
               (Wendy shudders at the thought
               of the Assistant)

                    SOOS
               (singing)
          Cat stung by bees? Fish got a
          disease? Dog infested with fleas?
          Bring ’em to Marrow’s he’ll put
          them at ease!
                    STAN
          Uh, yeah, I guess so. I mean,
          I’didn’t think he had any
          commercials...
                    SOOS
          Oh, that’s not a commercial, dude.
          That’s just something I do now.
                    STAN
          I’ll pretend it isn’t. Anyways,
          Marrow and his assistant have a
          whole mess of spare pet parts and I
          need you all to take the cart and
          get them for me. I’ve got a long
          night of taxidermy ahead of me, and
          I need some time to prepare. Alone.
          So get going!
The gang gets up and walks off frame. Mabel mumbles a
"can’t" in between her incessant "pony"ing. Stan sits down
on the chair with an audible fart. He opens a soda, picks up
the remote, and scratches himself. Mabel’s pony chant grows
louder.
INTRO ROLLS
INTERIOR: MYSTERY SHACK TV ROOM
Mabel’s face is still against the TV screen. Her constant
drone of "pony" is even louder. Stan, unfazed, remote in
hand, changes the TV’s channel to a a man at a desk, taking
a test, covered in Bees.
                    TV VOICE
          S-A-Bee? Standardized tests get
          wacky when WILL BE STUPID FOR
          ATTENTION returns!
                    MABEL
          Aagh! Go Back! I Want to see the
          horses!
               (Mabel Jumps on Stan, feet
               first)
                    STAN
          Why do you suddenly care about
          horses? Don’t you already have a
          pig? Isn’t one smelly farm animal
          enough for you?
                    MABEL
               (Jumping up and down on Stan)
          Waddles deserves a friend! A friend
          we can both ride! A friend that I
          can enter the Queen of Horses
          Parade with and will help me beat
          Pacifica!

(climbs off Stan, sadly)
But it’s alright, Gruncle Stan. I know you couldn’t actually get me a horse...

                    STAN
          Whoa, whoa, whoa. Do you know who
          you’re talking to? I’m Stanley
          Pines - I can get you a horse. I
          can get you a horse by 3:00 with a
          saddle on it if I wanted to. But I
          don’t want to.
                    MABEL
          But Gruncle Stan! If you get me a
          horse and I beat Pacifica, I’ll
          give you the prize money!
               (singing)
          It’s $500...

(CONTINUED)

5.

CONTINUED:

6.

                    STAN
          You got a deal, kid. Let’s shake on
          it.
               (he puts out his hand)
                    MABEL
               (jumps onto Stan’s shoulders,
               literally shaking with
               excitement)
          Gruncle Stan! Thank you! Thank you!
          Thank you! I can’t wait to see the
          pony! You’re the best great uncle
          ever! I can’t wait to tell Waddles
          he’s going to get a friend. I’m
          going to name him Willimg
          Horsington the III, Stallion
          Prince.
               (gasps)
          Or Colt Rein, the unbroken bronco!
               (squeals)
          Ooo! Or Buck Cheval, international
          horse of mystery! And i’m going to
          fill his mane with flower’s and
          we’ll be crowned King and Queen of
          Horses and we’ll rule from atop our
          emerald palanquin carried by giant
          elephants, themselves borne on the
          back of a great bull, all less
          noble than the king of horses...
Mabel’s words trail off as she walks from the TV room,
leaving Stan alone. It dawns on him that he now has to get a
horse. He signs heavily.
                    STAN
          Well, I’m bucked.
EXTERIOR: GOLF CART

CUT TO

Dipper, Soos, and Wendy are in the golf cart driving towards
town.
                    DIPPER
               (making scare quotes
               constantly)
          Don’t either of you find this
          strange in any way? Stan sends us
          to get "spare animal parts"? I
          mean, why would a vet have "spare
          animal parts"? And why would he
          give them to Stan of all people?

(MORE)

(CONTINUED)

CONTINUED:

7.

                    DIPPER (cont’d)
          Wouldn’t a vet, like, "dispose of
          them properly"?
               (he looks confused as to why
               he did that last one, as if he
               got carried away)
                    WENDY
          It’s not like Stan hasn’t asked us
          to do weirder things.
                    SOOS
          And I don’t know dude, maybe Stan

is the appropriate way to dispose of a bunch of random animal parts? You know how terrible our municipal services are.

               (they drive by the Gravity
               Falls Cops on the side of the
               road in handcuffs, car split
               in half, horses holding
               chainsaws)
                    DIPPER
          On second thought, you might be
          right. It would explain some
          things...
EXTERIOR: MYSTERY SHACK - BACK DOOR

FLASHBACK TO

Dipper and Soos stand outside with gloves on. Stan pulls up
with his car, trunk slightly open, feathers streaming from
the back. A group of buzzards follow behind.
                    STAN
          Soos! Dipper! I’m building The Bird
          Wonder of the World, The Great
          Pyramid of Beak-za! Help me unload
          these -
As he pulls up, the car hits a pothole, popping his trunk
and forcing an eruption of dead doves from the back in
feathery white mushroom cloud.
          STAN
Eh, easy come...

CUT TO

INTERIOR: MYSTERY SHACK - MUSEUM FLOOR
Stan staples a pelt over the face of a stone statue of a
skinny man with a GIANT nose and hugely disproportional
feet. Mabel walks in.
                    STAN
          Hey Mable, do your Gruncle a favor
          and hand me more pelts so I can
          finish my Fur-tility goddess.
Mabel shudders audible but hands a skin to Stan
INTERIORL MYSTERY SHACK - STAN’S ROOM

CUT TO

Stan’s door is open, revealing Stan in his boxers fighting
with multiple animal parts, trying to force a bear’s head
through an emu’s body. Dipper and Mabel walk by in their
PJs/
                    STAN
          Uhhh, this isn’t what it looks
          like.
The two back away slowly, visibly scarred.
EXTERIOR: GOLF CART

CUT BACK TO

Wendy, Dipper, and Soos are still in the cart, but they have
arrived. They pull up outside a very fancy Victorian house
with a high pointy fence covered in ivy.
                    WENDY
          You guys are really going to Dig
          Dr. Marrow. I mean, you probably
          won’t like his horse-obsessed
          creepy assistant, but you’ll love
          him. He took care of my brother’s
          dog when he was sick, and again
          when his root chakra was way outta
          wack. If this is how he gets rid of
          his spare... parts, then this is
          how he does it.
                    DIPPER
          If you say so...

(CONTINUED)

8.

CONTINUED:

9.

                    WENDY
          Come on Dipper, I know this place
          well. Just wait till you get
          inside, you’ll flip out over the
          whole beach theme. And all the
          chairs look like seashells, so when
          you sit in them you look like
          you’re a hermit crab!
The group drives around the house to the parking lot and
backdoor. The house rises up ominously above them, and we
can almost make out a figure in the top room. It stirs. The
windows on the first floor have their curtains drawn shut.
The back wall of the house is a painted mural of cats, dogs,
and turtles sipping drinks and snorkeling. The hospital’s
name is written in big letters above the door. The three
disembark from their cart, and walk up to the back door, a
heavy black Dutch door. Dipper rings the doorbell that plays
a steel drum beat. We hear footsteps and then the top half
of the door swings back slowly to reveal a dark interior,
and Dr. Marrow’s Assistant, a middle aged man with a bad
goatee and ponytail.
                    ASSISTANT
               (In a high-pitched whisper,
               elongated his "s")
          Are you the ones that ~Stan sent
          for the spare parts?
                    SOOS
          Yeah, dude. Can’t turn down free
          animal parts!
                    ASSISTANT
          No, you very much can’t. Please,
          come in, come in. The good doctor
          and I have been... expecting you.
The Assistant steps back from the door, and the bottom half
opens with a creak. Dipper, Soos, and Wendy all step into
the entrance, only to have the floor give way beneath them.
As they fall down the hole, we can hear the Creepy
Assistant’s cackling laugh.

CUT TO

EXTERIOR: EDGE OF TOWN - HORSE DISTRICT
Stan pulls up underneath the golden "HORSE DISTRICT" sign,
looking for something. There are still many horses running
around, and some people even appear to be extracting some
horses with a crane and jaws of life. As Stan pulls forward
into the district slowly, we can see people are setting up

(CONTINUED)

CONTINUED: 10.

for the parade. Pacifica and her cronies can be seen in the
background atop some very bro horses (popped collars, boat
horse-shoes, seersucker Vineyard Vines, the works).
                    STAN
          Yeesh, this town really goes all
          out for weird. Now, where is this
          place.... ah!
He spies what he wants, a sign that says "HORSE DEALER
ALLEY", and drives down the narrow road. The street is
filled with horse dealers. Many look to have fairly
reasonably horses, but Stan isn’t looking for fairly
reasonable.
                    STAN
          There we go! That’s what I’m
          talking about!
He steps on the gas and pulls up with a screech beside a
broken down ranch. The sign reads, "HORSE MONGER; DISCOUNT
HORSES". Stan gets out of his car and walks to the stable. A
man with a stalk of hay in his mouth and a cowboy hat pulled
so low it covers his eyes leans against a railing.
                    HORSE MONGER
               (in a vaguely eastern European
               accent)
          Hello chief! You want cheap Horse?
                    STAN
               (looking over the horse
               selection)
          Yeah, I need to see your cheapest,
          but I also want to shake things up.
          What do you have for me in
          "special" horses? But make it
          snappy! My grand-niece is going to
          be Horse Queen, and thatr makes me
          like, horse royalty or something.
          And if you treat me right, I can
          make you my knight.
                    HORSE MONGER
          You got it chief, I take you to
          horse now, I show you, chief, I
          show you what I got.
The two walk through the stable, past all the normal horses
to the first horse in the row. They walk in with a cloud of
flies, and a cloud of birds trying to eat the flies. Stan
flaps his arms wildly to no effect.

(CONTINUED)

CONTINUED:

11.

                    HORSE MONGER
          This is fabled Unicorn, chief.
                    STAN
          Ugh! What’s that horrible smell? My
          eyes are on fire!
The Unicorn has visible stink lines. The flies rush to the
Unicorn, and catch on fire in the stink. The birds, trying
to eat the flies, also catch fire when they enter the
Unicorn’s radius. Then, a number of eagles fall out of the
sky into the stable, and all the hay turns black.
                    HORSE MONGER
          Yes, it has, how you say,
          flatulence problem.
                    STAN
          I can’t get that for Mabel! Not
          unless I get her sense of smell
          removed. Which, isn’t actually a
          bad option, but I can’t do it now.
          Next!
They move down the line. The next horse has 4 peg-legs, and
two peg-wings.
                    HORSE MONGER
          Here, mythical peglegasus.
                    STAN
          Uhh, does it fly?
                    HORSE MONGER
          No, but it rolls OK.
The Horse Monger walks over to the peglegasus and tips it,
but its many points of contact make it easy to move, rolling
out of frame.
                    STAN
          What if there’s a hill? No, next.
They move down the line to the third horse. it is black with
bright glowing red eyes and a strange sheen, as if it were
covered in translucent slime. Despite the color and slime,
its ribs are visible, and it appears to be chewing on a
human femur when they approach.
                    HORSE MONGER
          This is called Kelpie, chief, but
          you probably do not want. Let me
          show you last horse, lest this one

(MORE)

(CONTINUED)

CONTINUED:

12.

                    HORSE MONGER (cont’d)
          invade your mind, chief, eat your
          soul, you know. This is not horse

for royalty.

The two look over at the fourth and final stall to find a
horse with a blank slate for a face, on which the Horse
Monger has badly drawn a horse face.
                    STAN
          Well, that won’t do. Guess I’ll
          take the black one.
                    HORSE MONGER
          Chief, I strongly caution. This

horse is -

                    STAN
          I said I’ll take it!
Stan pats the horse, only to find it squishy and covered in
a thick mucus, sticking to his hand. It snorts and faces
him, indignantly, yet somehow without changing or shifting
its gaze.
                    STAN
          Yeugh! Well, I guess Mabel will
          learn to take more showers.
                    HORSE MONGER
          That will be three hundred, chief
                    STAN
          I think you’re confused. I said,

I’ll take it.

Stan pulls a smoke bomb from his pocket and tosses it
less-than-sneakily over his shoulder, back the way they came
in the stable. It explodes, filling the stable with smoke -
and then fire

STAN
Ooo, what was that? Better get to

it quick!

The Horse Monger runs off, and we watch as Stan himself,
whistles and strolls out of the frame. The Kelpie, alone,
keeps track of Stan off screen, and slowly, its eyes and
face elongate, its jaws begin to unhinge, and it begins to
make a noise like a drain sucking down the last bit of
water. But Stan is whistling happily to himself as he
returns through the smoke and walks around to the Kelpie’s
butt. He pushes the surprised demon horse through the smoke

(CONTINUED)

CONTINUED: 13.

and into the back of his car. They drive off, trailing
slime.

CUT TO

INTERIOR: MARROW’S PET PARADISE - BASEMENT
Dipper, Soos, and Wendy get up from the pile they fell in,
brushing themselves off. They begin to check out their
surroundings, revealing a very cluttered basement filled
with medical devices, as well as various skeletons of
different animals
                    SOOS
          I have the feeling he doesn’t have
          the parts we’re looking for.
                    DIPPER
          I’m pretty sure we are the parts
          he’s looking for. (Turning to
          Wendy) So much for enjoying this
          place.
                    WENDY
          Chill, Dipper. I know you’re used
          to things always going wrong, but I
          know this place. It’s good, plain
          and simple, and so is Dr. Marrow.
          Of course this isn’t what I was
          expecting either. Dr. Marrow’s
          Island Pet Paradise is supposed to
          be a pet paradise! There’s gotta be
          a mixup and a good explanation.
                    DIPPER
          Sorry, sorry. It’s just... There’s
          always something wrong. Why can’t
          we ever have an easy errand? I
          don’t think falling down a trapdoor
          while in pursuit of animal parts
          constitutes a normal visit to the
          vet.
                    SOOS
               (patting Dipper on the back)
          This one will be easy, dude. Let’s
          find Dr. Marrow and get out of
          here.
The three split up, going to different sections of the
basement to look for a way out. We follow Dipper as he
searches through some boxes. As he gets close to one, it
begins to shake.

(CONTINUED)

CONTINUED:

14.

                    DIPPER
          Uhh, guys, I don’t think we’re the
          only ones down here.
Soos and Wendy run to join him, and the three move slowly
towards the box. Soos reaches out his hand and moves one of
the boxes to reveal...a whole flock of gerbils with horse
legs.

DIPPER

Augh!

                    SOOS
          Don’t worry, dudes. Just some...
          uhhh? Actually, I’m at a loss guys.
          But I bet they’re more afraid of us
          than we are of it. Look!
The gerbils with horses legs all scurry away, bumping into
each other, crawling over one another, on their way towards
the other end of the basement.
                    SOOS
          Haha, see! They’re adorable!
                    DIPPER
          Yeah, Soos, they’re adorable.
          Adorable abominations.
                    WENDY
          Good thing Mabel wasn’t here, she’d
          be having a rough time right now.
                    DIPPER
          Wait a second, where did those....
          Gorses? Herbils?
                    SOOS
          Horgersesils!
                    DIPPER
          Yeah, those things. Where did they

go?

The three look and see the line of gerbils with horse legs
shuffle their way out, tapping their way along the basement
floors. They get to the end of the basement, and begin to
climb the stairs, jumping off one another to get up the
stairs. The last one out needs help getting over the last
step.

(CONTINUED)

CONTINUED:

15.

                    DIPPER
          Well, at least we found our way

out.

EXTERIOR: MYSTERY SHACK - FRONT DOOR

CUT TO:

Stan pulls up in his car. The Kelpie stands in the back
seat, its glowing red eyes unblinking. Its jaw is still
slightly unhinged, but it appears to be enjoying the feeling
of the wind blowing down its distended, black throat. Stan
looks back as he comes to a halt with a screech, and a whole
glob of slime slides off the back of the horse and right
onto Stan’s face. The Kelpie oozes, and looks angry to not
be moving.
                    STAN
               (wiping the slime from his
               eyes)
          Ahh jeeze, what a shoddily made
          horse... Mabel! I’ve got you a
          horse! (aside) Yeah, that’s what it
          is. A horse.
There’s silence at first, but we hear Mabel’s scream
steadily grow louder and louder. We hear her footsteps
running down the wooden hallways of the shack, until she
bursts from the front door yelling.
                    MABEL
          Ahh! Gruncle Stan! I can’t believe
          you actually got me a horse!
                    STAN
          Yeah, about that, Mabel. The
          stables where slim pickings today,
          and this was all I could get you.
          I’d understand if you didn’t want
          to take it to the Queen of Horses
          parade.
Mabel isn’t listening. Stan’s voice fades as we focus on
Mabel and the Kelpie. Roses fill the screen. Mabel’s eyes
grow wider and wider as romantic music begins to play. Mabel
is completely enamored with the Kelpie. The Kelpie, however,
stands with its unblinking eyes, just staring, oozing,
oblivious to Mabel’s new love. The camera switches back and
forth between Mabel and the Kelpie and eventually Mabel runs
up to the Kelpie to throw her arms around its neck. She
jumps in the air towards the demon horse.

(CONTINUED)

CONTINUED:

16.

                    MABEL
          William Horsington the III!
Mabel’s arms come to a rest around the Kelpie’s neck, and
they instantly stick in the viscous mucus coating. Mabel
recoils.

MABEL Augh! What is this!

                    STAN
          See what I mean, Mabel? This horse
          has some issues-
                    MABEL
          It’s wonderful!

STAN

Really?

                    MABEL
          Yeah! It’s going to make giving
          William makeovers so much easier!
          And if he was perfect, there’d be
          nothing to improve on!
                    STAN
          Wait. Really?
The Kelpie stares ahead without blinking as Mabel begins to
put rouge on its cheeks. The rouge slowly slides down the
mucus on the Kelpie’s face.
                    MABEL
          I smell a challenge.. and a makeup

montage!

MABEL’S MAKEUP MONTAGE.

STARWIPE TO:

We watch as Mabel puts fake eyelashes on the Kelpie, and
they fall off, so Mabel sticks them deeper into the mucous
coating. In the next flash, Mabel sprays the Kelpie with
cologne and perfume and brings Waddles outside. The pig gets
terrified and runs away when confronted with the Kelpie’s
unblinking eyes. In the next flash, Mabel puts cucumber
slices on the Kelpie’s eyes, and she smiles at the camera.
In the final flash, Mabel goes to do the Kelpie’s hooves,
only to find the demon horse’s legs face backwards. She
shrugs and paints the whole hoof with a red paintbrush.

CUT TO

EXTERIOR: MYSTERY SHACK - BACK DOOR
Mabel is doing the Kelpie’s face paint like Ziggy Stardust,
with a mo-hawk of black slime. Waddles has warmed up to the
Kelpie now.
                    MABEL
          You’re just what I’ve always
          wanted, William. I don’t know why
          Stan wouldn’t want me to enter the
          parade with you. Once I’ve got you
          all fixed up, we can head over to
          the Horse District to win our
          crown!
INTERIOR: MARROW’S PET PARADISE - FIRST FLOOR

CUT TO

Soos, Dipper, and Wendy emerge from the staircase into the
actual animal hospital. The whole first floor is Island
themed, covered in sand. There’s a large pool of water in
the center of the room, and there’s a reception desk right
beside it. There doesn’t appear to be anyone in the
hospital, but on second glance, the camera settles on a
person’s rear end - a man’s butt in khakis. We hear the
sound of lapping coming from the pool’s edge.
                    DIPPER
               (whispering)
          Shh! Someone else is here!
                    WENDY
          Maybe it’s Dr. Marrow?
                    SOOS
          Maybe it is another unfortunate
          lost soul, destined to wander these
          halls like us?
                    DIPPER
          Lost soul, maybe. But why is he
          drinking from the edge of the pool?
          There are paper cups, like right on
          the reception desk.
The man drinking from the edge of the pool raises himself -
only to reveal that he has a horse’s head when a human’s
should be. It turns, looks at the group, and then neighs and
screams, running away on all four of its human limbs.

17.

(CONTINUED)

CONTINUED:

18.

                    DIPPER
          We have to follow it! It might know

a way out!

The four chase the horse-headed-man through the sandy
reception area, into a non-sandy back hall, and finally to
an office/ diagnostic room with a door opposite where the
group enters. The diagnostic room has the usual veterinary
accoutrements - there are chairs on the sides of the room, a
table, and posters of sad pets on the wall. Above the
examining table on the right wall, though, is a very large
portrait of a man, face out of camera. The group appears to
have the horse-headed-man cornered against the back door.
                    WENDY
           Come on, bro, we won’t bite.
The horse-headed-man appears to cower for a second as Wendy
approaches, and then suddenly neigh-screams, rears up on its
(hind) legs, and tries to horse kick with its human arms.
Dipper pulls Wendy back by her flannel collar, knocking them
both to the ground. Soos grabs a chair and hurls it at the
horse-headed-man.
                    SOOS
          Take a seat!
The chair knocks the horse-headed-man through the door at
the back of the room and off camera.
                    WENDY
               (excited, but sitting on top
               of Dipper, rubbing her neck)
          Nice shot, Soos! And way to get
          inventive with that chair.
                    SOOS
          No problem, dog. I’m all about
          using chairs for things other than
          sitting. Throwing, climbing,
          escaping lava...
          Dipper
               (from beneath Wendy)

Uhh, Wendy?

                    WENDY
               (jumping up, helping him up
               too)
          Shoot, sorry dude! Thanks, Dipper.
          If it weren’t for your quick
          thinking, and caution, I don’t know
          what would have happened.

(CONTINUED)

CONTINUED:

19.

                    SOOS
          You’d be making out with a horse?
                    WENDY
               (shuddering)
          Ugh, those lips.
Dipper blushes at the compliment, and laughs a little too
long at Wendy’s joke.
                    SOOS
          Does the journal say anything about

this?

Dipper flips briefly through the book, looking for anything
that might help.
                    DIPPER
          Hmmm. Homonculi, Pegasi, Evil -Eye,
          Sentient Pie? No, nothing about
          what these things might be.
               (coming to his senses)
          But I know they’re dangerous.
          Wendy, do you believe me now?
          Things can change at any time,
          there’s danger around every corner,
          you have to practice constant
          vigilance!
                    WENDY
               (placing a hand on Dipper and
               Soos’ shoulders)
          Yeah, but no one can be vigilant
          forever. That’s why you have
          friends.
The three share a brief moment, until Wendy breaks the
silence.
                    WENDY
          So, do you think that thing still
          has some human in it?
                    DIPPER
          I think it must have some. It still
          has a human body.
                    SOOS
          I guess that makes it a reverse
          centaur? A ruatnec?
Soos literally draws the word Centaur on a black board in
the office, and then reverses the letters.

(CONTINUED)

CONTINUED:

20.

                    DIPPER
          At least it wasn’t a Centaur-taur.
                    WENDY
          Oh, but I like that. Centaur-taur
          has a nice ring to it.
                    DIPPER
          It sounds good, yeah, but, it’s
          definitely not that. See, it’s kind
          of funny, but we actually know what
          a Centaur-taur looks like, and that
          thing definitely wasn’t -
Before he can finish his gripping description of why the
reverse centaur is not a centaur-taur, the door through
which the reverse centaur went through, comes crashing open.
Through it comes a horde of half-horse-half-other-animals: A
flock of horse-heads with parrot wings; a turtle’s head and
legs on a horse’s body; a horse with octopus tentacles for
legs; a double horse (horse heads on both ends); a dog with
a horse’s rear end, horribly lopsided; a cat with two
horse-tails and front horse-legs pulling itself along the
ground; a bunny rabbit with a mouth full of horse-teeth and
horse ears on its head.
The camera shifts positions to face the Portrait on the
wall. We can see it in its full splendor now. It features a
very fancy man atop a giant chicken with a woodpecker on his
shoulder. The man’s face has the same eyes as the Assistant
from the beginning. We keep focused on the portrait and the
shadows playing across the wall - they show Dipper, Soos,
and Wendy being subdued by the
half-horse-half-other-animals. The portrait’s eyes follow
the action, and we can see a hint of glee in their pupils.

CUT TO:

EXTERIOR: MYSTERY SHACK - BACK DOOR
Mabel and the Kelpie are in the final stages of dressing up.
The Kelpie has a top hat and bowtie around his neck, but it
is hard to see beneath the mucous. Mabel fumbles with a
monocle that stubbornly won’t stay in place.
                    MABEL
          Oh Sir Horsington, it is true what
          they say! "A single horse in
          possession of a dashing smile, must
          be in want of a girlfriend." Have
          you ever looked for love before?

(CONTINUED)

CONTINUED:

21.

                    MABEL(FOR THE KELPIE)
               (with voice lowered and hands
               moving the Kelpie’s gooey
               lips)
          Never Nay-ble! I’ve been too
          embarrassed by my roughshod past!
          No one would ever love me, saddled
          as I am by my real identity, the
          exiled equestrian king!
                    MABLE
          Nonsense! That just gives your
          character more depth. And besides,
          you’re too beautiful for me to keep
          to myself. What started as a quest
          to defeat Pacifica, has turned into
          a quest to find you love. Who cares
          about some silly Parade when your
          future is at stake? I swear to you,
          Sir Horsington, on my whole sweater
          collection, that when you and I go
          to the Queen of Horses parade
          today, you will find love. Now
          let’s go to town and find you a
          lady!
Mabel hops on the back of the Kelpie, a new saddle on its
back, gleaming white. We can see there are drawings all over
it in crayon - hearts, pine-trees, glasses, stars, and even
some alchemic squiggles
                    MABEL
          To the town! To love!
Stan walks out from the Mystery Shack.
                    STAN
          Uhh, Mabel? I don’t think you
          should be bringing that horse into
          town. I know I got it for you to
          bring into town, but it’s weird,
          and scary, and... did I say weird?
          It’s weird! And - wait. How are you
          riding on that thing?
                    MABEL
          I found a saddle in the attic! And
          William and I drew on it together.
          I did this side...
               (Mabel shows off the side of
               the saddle facing the camera)
          And Sir William did this side!
               (she turns the horse,
               revealing what look to be

(CONTINUED)

CONTINUED:

22.

               pictures of the grim reaper,
               drowned figures, Munch’s
               Scream).
          But why don’t you want me going
          into town, Gruncle Stan?
                    STAN
          I don’t think the world is ready
          for William to look for love. Maybe
          you should give him some time to
          grow and learn; become his own
          horse. Keep him at home for the
          time being, or, you know, forever.
                    MABEL
          I just think you’re just scared of
          letting go of such a beautiful
          horse like William. But he needs to
          live, Stan! He needs to experience
          the world! Hyah!
With an audible squish, Mabel kicks the Kelpie into high
gear and they trot off towards town, leaving Stan in the
wake, his soda spilled again.

CUT TO

EXTERIOR: EDGE OF TOWN - HORSE DISTRICT
Mabel and her Kelpie arrive beneath the golden sign. The
Horse District has been transformed into the staging ground
for the Queen of Horses parade and competition. There is a
big bleacher set up on one edge of an oval track with a
large grassy performance area in its center. A set of judges
sit at a desk on the edge, and in front of them is a 1st,
2nd, 3rd, podium. Pacifica and her cronies sit atop glorious
shining stallions in full regalia, between the podium and
the judges. She holds a microphone. The horses never stop
doing a stationary dressage. The horses all wear ray-bans.
The people in town applaud and cheer as the horses do their
fancy dance.
                    PACIFICA
               (atop her horse, into the
               microphone)
          Like, thank you all for coming out
          to see my beautiful face - and
          horses. And thank you for
          pre-crowning me Queen of Horses
          for, like, the third year in a row!
Pacifica throws a wad of one-dollar bills at the judges’
table, causing them all to scramble for the money.

(CONTINUED)

CONTINUED:

23.

                    TYLER CUTEBIKER
          Get it! Get it!
Mabel trots up on her Kelpie, top hat and all.
                    MABEL
               (being nice)
          Oh my god Pacifica! Your horses are
          so beautiful! Do you think our
          horses can be friends? We can have
          horse dates and look for love
          together! Or mane braiding parties!
          And then we can share funny horse
          stories about times they poop in
          strange places. One time, this guy
          dropped -
                    PACIFIC
          Ugh! I don’t want to hear any lame
          horse stories from you, or your
          freak horse. Is that even a horse?
                    MABEL
               (losing her temper)
          He’s not a freak! Let me introduce
          you properly. This is Sir William
          Horsington the III, heir to the
          largest race-track fortune in
          Westist-Mint-Derbyshireforth.
Mabel tips the Kelpie’s top hat. The horses underneath
Pacifica and her cronies all growl, frothing at their
mouths. We see one of them has an eyebrow piercing, and it
jingles. The Kelpie, in turn, stares back with burning red
eyes. Somewhere, we can hear an Irish flute playing, the
sound of rustling winds and surging waters, and the low
rumblings of oncoming thunder. The Kelpie reaches out to the
horses in a thin, icy voice.
                    KELPIE
          Rats Gnitoohs eht erofeb wob
The horses whiney and buck their riders, sending Pacifica
and her cronies flying into a mud puddle. The beautiful
preppie horses all bow before the Kelpie, transfixed. Mabel
is worried, but Pacifica is furious.
                    PACIFICA
          We will never be friends! Now get
          your gross, freak horse out of
          here, or else I will use all of my
          authority as Horse Queen to have
          you banished from the Horse

(MORE)

(CONTINUED)

CONTINUED:

24.

                    PACIFICA (cont’d)
          District, forever! Aghhh! Knights!
          Get them out of here!
A set of men in different horse mascot costumes come running
up.
                    HORSEMEN
          Hup! Hup! Hup! Hup! Hup! Hup!
The knights start to push Mabel and the Kelpie out of the
Horse District.
                    JUDGE
          Uhh, now wait a minute. Now hold
          on. Technically, Pacifica,
          according to the Queen of Horses
          charter, we aren’t allowed to
          pre-crown anyone. We still have to
          hold our competition like we do
          every year to determine who is the
          rightful heir to the throne of
          Horse Queen. And that means -
                    MABEL
               (interrupting)
          That means I have just as much a
          right to become Horse Queen as you
          do! And that means Sir Horsington
          and I will challenge you to a horse
          off for the sake of pure horse
          love!!
                    JUDGE
               (pulling several brightly
               colored flags out of his
               pockets)
          Hear that folks! We got a horse-off
          here! Horse-off! We got a
          horse-off!
The other judges take out two flip-over number counters -
the first labeled events, and the other labeled competitors,
with both Mabel and Pacifica’s faces and horses already
printed out and pictured on each counter. Even their
pictures squint at one another.
                    PACIFICA
          You and your slimy steed are going

down.

(CONTINUED)

CONTINUED:

25.

                    MABEL
          You know, Pacifica, I had forgotten
          about wanting to beat you -
          William’s love came first. But
          since you’re being such a meanie,
          we’re gonna bring it!
The Kelpie opens its mouth slightly, and with a rapidly
extending tongue, grabs the sunglasses off Pacifica’s
preppie horse, and chews them to pieces slowly, menacingly.
                                                      CUT TO
EXTERIOR: EDGE OF TOWN - HORSE DISTRICT COMPETITION AREA
Horse competition montage Begins. Great 80s competition
music plays, the lyrics describe the events as they happen.
Men & women dressed in skimpy 2-part centaur costumes (the
kinds were one person becomes the butt) come out, holding
placards with round numbers for the townsfolk to follow
along with. As the montage continues, we watch the rounds
increase to ridiculous proportions.
Round 1: Horse vs. Horse: Musical Talent. In this round, we
watch all the horses fumble with stringed instruments and
playing the piano. The judges are stymied.
Round 9: Horse vs. Horse: Swimsuit Competition. In this
round, we see the Kelpie model a 2 piece. The judges
applaud, the female judge whistles.
Round 15: Horse vs. Horse: Physical Talent. In this round,
Pacifica’s horses all do a hip-hop dance. The Kelpie does an
award winning floor routine. Both sets are awarded 9/10.
Round 27: Human vs. Human: Plowing fields - the two girls
have to drag a heavy plow behind them to see who can do it
the fastest.
Round 33: Human vs. Human: Tractor Pull. In this round,
Mabel and Pacifica each pull a tractor only using their
teeth. Mabel wins by a landslide.
Round 51: Human vs. Human: Calf Wrangling. In this round,
Mabel and Pacifica each try to hogtie a calf on foot.
Pacifica pays a rodeo clown to assist her to win.
Round 72: Horse and Human: Trick Riding. In this round,
Pacifica rides her horse riding a horse riding a horse
riding a horse riding a horse. Mabel and her Kelpie pull off
an acrobatic routine.

(CONTINUED)

CONTINUED: 26.

Round 99: Horse and Human: The pairs face off in a form of
Horse Tron. Humans ride horses which ride Segways that leave
glowing light walls for trails.

CUT TO:

INTERIOR: MARROW’S PET PARADISE - STAIRWELL
The horse-headed man leads the half-horse menagerie holding
the group up a dark stairwell towards a door leading to the
top-floor office. The stairs are wooden and creak beneath
the weight of the animals. The camera reveals another Dutch
Door, like the one at the entrance.
                    DIPPER
          This is it, guys. Who knows what
          lies behind this door.
                    SOOS
          More hideous, cobbled together

creatures?

                    DIPPER
          Thanks, Soos.
The horse-headed man scratches at the knob and pushes
forward. The bottom half of the door opens, but not the top
half. From the inside, we hear the voice of the Assistant.
                    ASSISTANT
          Welcome! To your - Oh! Just, shoot,

hold on.

There’s a lot of rustling, and briefly, we can see a jumble
of animal legs - cows, dogs, chickens, lizards, horses - a
jumble. The bottom half of the door slams, and you hear a
slide and click.
                    ASSISTANT
          Alright, try it now.
The horse headed man does the same thing and the door opens
correctly this time, revealing a whole sea of animals mixed
up with horses. A horse-headed cow with a lizard’s frill. A
horse with a frog’s hind legs and tongue. A horse that looks
relatively normal until we realize it’s literally just a
bear with a horse sewn on top of it. We can see the
assistant is in the back of it all, his lower half obscured
by the sea of animals.
                    ASSISTANT
          Welcome to your-

(CONTINUED)

CONTINUED:

27.

          DIPPER
Let us go!
          ASSISTANT
     (sighing)
Kid, would you let me finish? As I
was saying... Welcome to your
future!
          WENDY
You can’t do this! Whatever this

is!

          ASSISTANT
I think it’s pretty obvious that I
can, and will. Now! Gaze upon the
horsey countenance that will become
mankind’s destiny!
     (the assistant sweeps his arm
     back, revealing... a horse
     chained to an operating table)
          DIPPER
You’re going to turn us into

horses?

          SOOS
How dastardly!
          ASSISTANT
No you fool! I’m going to put
you... INSIDE the horses!
     (he snaps his fingers and a
     bunch of monkeys with horse
     heads swoop down and open the
     mouth of the chained horse,
     revealing... a conscious man’s
     face, eyes wide and
     terrified.)
          WENDY
Dr. Marrow! You creepy monster,
what did you do to him?
          ASSISTANT
Yes! Creepy! I did what anyone in
my position would do! To make
myself less creepy, I would make
you all more creepy! And soon,
you’ll all join me in my new creepy
kingdom!
     (a gerbil with horse legs
     crawls down the walls and onto
     the Assistant’s shoulder)

(CONTINUED)

CONTINUED:

28.

          Yeugh!
               (he picks up the gerbil horse
               monstrosity and tosses it
               behind him, through the
               window)
          That wasn’t one of my better
          experiments. It takes time to get
          creepy right.
                                                      CUT TO
EXTERIOR: EDGE OF TOWN - HORSE DISTRICT COMPETITION AREA
Round 101. Pacifica and Mabel are tied with 50 events
apiece. They are out of breath, and badly scratched up. They
sit atop their steeds on the racetrack around the
competition area. The audience is on the edge of their
seats.
                    JUDGE
          This is it, folks! The only event
          that actually matters! The event we
          should have just held at the start
          of this whole competition. The
          race! This determines which horse
          should be crowned king, and which
          rider shall be crowned this year’s
          Queen of Horses and marry the Horse
          king for the year!
                    PACIFICA
               (to mabel)
          Eat our dust, slimy losers.
                    MABEL
               (to Pacifica)
          I think you’re find yourself eating
          our dust, Pacifica. But don’t
          worry, I put glitter in it for you.
          Wait, did he say marriage?
               (softly, to Kelpie)
          You know, Sir, William, maybe we
          shouldn’t win this thing. If we
          marry, you’ll never be able to look
          for love.
Pacifica’s bro pony growls and raises a hoof holding a
switchblade. The Kelpie, in return, literally parts the
slime and skin on its face and forces its skull out of its
body, mouth open and eyes still red and staring. Pacifica’s
horse gets terribly freaked out.

(CONTINUED)

CONTINUED:

29.

                    JUDGE
               (firing a gun, startling
               Pacifica’s horse)

Race!

Pacifica’s bro horse takes off at the sound of the gunshot,
galloping away and leaving the Kelpie in dust. Pacifica
screams as the horse rounds the racetrack in record time,
coming right back to the Kelpie, and then continuing through
the fence into the crowd. The Kelpie, meanwhile, hasn’t
taken a single step forward. In the wake of Pacifica’s
frightened horse, the racetrack burns, catching the whole
district on fire. The judge looks astounded.
                    JUDGE
          Well, I’ve seen enough. Pacifica is
          the new Queen of Horses!
We see both Pacifica and her horse poke their heads out of
some rubble, delighted at the news. The audience turns too,
mid flee, to applaud the announcement. Things continue to
burn around them. The judge walks over to Pacifica and her
horse, still buried in rubble, and places a large medal
around Pacifica and her horse’s necks. He sticks a
microphone in Pacifica’s face.
                    PACIFICA
          That’s right, losers! I’m queen
          again! And my first act as queen is
          to banish Mabel and her freak from
          the Horse District. Knights!
The crowd applauds and cheers, while literally the entire
district burns around them. The stables, the grounds, the
buildings, even the stands the audience rests on burns
beneath their feet. The knights come push Mabel and her
Kelpie out of the burning District to great applause.
                                FOLLOW: MABEL AND HER KELPIE
Mabel rides atop her slimy black horse as it plods its way
out of the district towards town. Behind her, everything
burns. She doesn’t realize it yet, but she’s coming up on
Dr. Marrow’s Island Pet Paradise. Fire trucks stream past
her.
                    MABEL
          I don’t get it, Willy. Why doesn’t
          anyone love you the way that I love
          you? I can see you have so much
          potential in you, but I feel like
          I’m the only one! You’re a young,
          strong horse with an unfortunate

(MORE)

(CONTINUED)

CONTINUED:

30.

                    MABEL (cont’d)
          skin condition and a strange leg
          deformity - the world’s your
          oyster, and I want to give it to
          you! But why won’t anyone let me?
Mabel emphatically plays with the mush of the Kelpie’s face
as she speaks, leaning heavily against it’s dripping mane,
staring up towards the setting sun.
                    MABEL
          If a make-over montage couldn’t
          find you love or win you the title
          of True Horse King, I don’t know
          what could... Wait a minute. Is
          that Dipper?
Mabel turns over and looks up into the old Victorian house
through a broad window in the top floor. She see’s Dipper
held aloft by a Squid-horse inside the room with the
multitude of mixed up animals. She can see that he is being
held captive from the outside the house.
                    MABEL
          Sir William! We have to do

something!

The gerbil with horse-legs is thrown through the glass
window, landing on the pavement beside Mabel. It squeaks and
flails its long legs.
                    MABEL
          We’ve got to catch that first. Then
          we have to do something!
                                                      CUT TO
INTERIOR: MARROW’S PET PARADISE - LAIR OF THE ASSISTANT
The Assistant laughs maniacally as the animals run amok in
the room. We couldn’t see it before, because of the way the
animals were gathered, but now that they are swarming, we
can see that the Assistant appears to be behind a long table
with a long white tablecloth. A number of horse-headed
parrots attack as well.
                    ASSISTANT
          Fly my pretties! Fly! Fly!
                    DIPPER
               (with a squirrel horse on his
               shoulder)
          Just because something is in the
          public domain doesn’t give you

(MORE)

(CONTINUED)

CONTINUED:

31.

                    DIPPER (cont’d)
          liberty to use it whenever you

want!

                    ASSISTANT
          Who cares what you think, boy!
          Soon, you’ll be like them!
Wendy, Dipper, and Soos all struggle valiantly against the
horde of animal mashups holding them, but they can’t win.
There are too many tentacles and horse legs and feathery
wings for them to struggle against.
                    WENDY
               (struggling)
          Why have you done all this! Why are
          you so creepy!
                    ASSISTANT
          Silence! Again! You want to know
          why I do this? Then maybe you
          should ask Dr. Marrow himself!
The assistant points a long, bony finger towards the human
face inside the horse

Me?

DR. MARROW

          DIPPER
Wait, you can talk? Why didn’t you
say something immediately?
          DR. MARROW
I was very freaked out, you know,
getting turned into this and all.
          ASSISTANT
Silence! No, wait. Tell them! Tell
them, Dr. Marrow! Tell them why I
did this to you!
          DR. MARROW
I honestly haven’t got the foggiest

idea...

          WENDY
So you have someone to ask, "why
the long face?" every day?
     (both the Assistant and Dr.
     Marrow look daggers at Wendy)

(CONTINUED)

CONTINUED:

32.

          ASSISTANT
What a disrespectful... NO! It’s
because he never stood up for me! I
am the great grandson of the first
veterinarian in this town, the
great man who wrote the law on
marrying woodpeckers and made
Gravity Falls an animal lover’s
destination the world over. And I
intended to follow in his footsteps
and make Marrying horses legal! But
you!
     ( (turns to Dr. Marrow)
You took over my father’s practice
before I came of age and then you
made me your assistant and deemed
my love of horses creepy! And so I
became nothing but your creepy
assistant!
          WENDY
You are really creepy.
     (Dipper and Soos nod their
     heads vigorously in agreement)
           ASSISTANT
Don’t you think I know that? Don’t
you think I didn’t want to be the
"Creepy Assistant"? Of course I
don’t want to be creepy! But I was
labeled as creepy almost instantly
- by Dr Marrow himself! And then he
did nothing to stop others from
perpetuating this vicious rumor!
And so I have been driven deep,
deep within my own insanity,
searching for an answer to this
most unfortunate injustice, to
rectify this attack against my
person! I must rectify! My name is
Darrel! Darrel Killdog! And if I
have to be creepy, then everyone
has to be creepier! Do you know why
I summoned you here today?
          WENDY
Uhh, dude? You like, didn’t summon
us. You called Stan and tricked him
into send us over, remember?
          DIPPER
And it’s pretty clear we’re here
because you intend to turn us into
          (MORE)

(CONTINUED)

CONTINUED:

33.

                    DIPPER (cont’d)
          more strange animal combinations.
          You just said -
                    ASSISTANT
          SILENCE! No! I plan to turn you
          into more... oh, wait, was it
          really that obvious?
                    DIPPER
          Yeah, pretty much from the start
               (Soos & Wendy nod
               emphatically)
                    DARREL KILLDOG
          Well... Yes! And, thanks to a most
          fortunate horse accident this
          morning, I have plenty of mares for
          you all! You called me creepy?
          Well, I went full on creepy! And
          now, I’m going to make you all full
          on creepy too!
With a flourish, Darrel removes the white sheet to reveal
his true body: that of a horse, except rather than turn
himself into a centaur, the horse is completely in tact,
with his upper torso sewn onto its back. Darrel laughs
maniacally. On either side of him are other horses, sedated
and hooked up fancy operating machines.
                    DARREL KILLDOG
          Behold, my final form! Sublimely
          beautiful, no? Now! Squid-Horse!
          Bring me the child!
The squid-horse raises Dipper in the air, bound in its
tentacles, and brings him to Darrel.
                    DARREL KILLDOG
          Now! Affix him to the specimen!
The squid horse fumbles to put Dipper on a prone horse, and
then ties him loosely to the body of the horse. Both of his
arms are free, and Dipper looks very, very confused by the
poor workmanship of the knots.
                    DARREL
          Yes! Soon this will become your

fate!

Darrel laughs, hands overhead. It is a short-lived victory,
though. With his back turned, he can’t see Mabel on her
Kelpie come crashing through the upper store window.

(CONTINUED)

CONTINUED:

34.

                    DARREL
          What is this!
                    SOOS
          That’s actually a pretty good
          question. What is that?
Mabel summersaults off of the Kelpie’s saddle to the ground,
pulling the saddle off inadvertently. In her sweater, the
gerbil with the horse’s legs head rests, its long, unwieldy
legs poke out from beneath Mabel’s sweater.
                    MABEL
          I’m here to save you!
                    DIPPER
          Save us from what? That thing you
          rode in on? Or the guy currently
          holding us captive?
                    MABEL
          Silly! I’m here to save you
          from....
               (she looks at Darrel).
          Oof, what a poorly conceived idea.
          This is why planning is a valuable
          skill.
               (back to Dipper)
          But you don’t need saving from him!
               (she gestures behind her)
          That’s the horse Stan got for me!
          His name is Sir William Horsington
          the III and he doesn’t need to be
          accepted by you, your ’society’ and
          its outdated concept of the
          horse-archy, or conform to you’re
          unreasonable standards of beauty!
          Maybe he’s a Horse looking for
          love, maybe he’s a horse on his
          own, but he’s always his own horse
          and he’s done being burdened by his
          family’s titles. Just because he
          comes from a royal lineage-
                    DIPPER
          Mabel? Can you free us?
                    MABLE
          Oh, right.
Mabel tickles a horse bird, causing it to release Soos.
Meanwhile, Dipper frees himself from his poorly tied knots,
and then runs to free Wendy. The group, when free, run over
to Dr. Marrow, still chained to the table.

(CONTINUED)

CONTINUED:

35.

                    WENDY
          Dr. Marrow, I’m so happy you’re

alright.

                    DIPPER
          Don’t speak too soon, Wendy, we’re
          not out of this yet.
                    SOOS
          Uhh, dude? I think we might be.
The camera pans over, and we see the Kelpie, free from its
saddle, has approached Darrel’s body with some interest. The
Mare Darrel is attached to, without a care for the torso
sewn to its back, seems to be responding to the Kelpie’s
interest, positively
                    DARREL
          What are you... what are you doing!
The Kelpie stares at Darrel, its eyes glowing and swollen.
It begins to open its mouth. The Kelpie’s jaw begins
descending like a snake that can dislocate its maw, and the
inside looks a whale’s baleen, but made of slime. Darrel
screams as the Kelpie’s uses its massive distended mouth to
pick up Darrel and his mare body sideways, and moves towards
the window. It gives one last look towards Mabel. With its
giant red eyes glistening and the screaming poorly made
centaur in its mouth, Mabel can almost make out a gleam of
sadness in the Demon horse’s eye. We watch as the Kelpie
remembers the kindness Mabel showed to it, but we also see
Mabel encouraging the Horse to be more confident, and it
steadies itself. With a flash, it has jumped out the window,
and we watch as it runs off towards the woods.
                    MABEL
          Awwww! Sir Horsington found love!
EXTERIOR: MARROW’S PET HOSPITAL - PARKING LOT.

CUT TO

The group stands in front of their golf cart. Mabel, Soos,
Wendy, and Dipper all look pleased but shaken. Dr. Marrow
stands in front of his new half-animal-half-horse menagerie,
his face poking out from beneath the horse’s jaws. We see
the horse-doctor has the horse standing on its hind legs,
and we see that rather than hooves on its front legs, it has
fingers. His face is pudgy, squished between the open
horse’s mouth.

(CONTINUED)

CONTINUED:

36.

                    DR MARROW
          Well kids, thanks for all your hard
          work saving me, and all these
          animals! And thanks to you Mabel,
          for your spectacular entrance! I
          trust we won’t hear from Darrel for
          a long time.
                    DIPPER
          Yeah, it’s good to be rid of him,
          but he did have some good points
          about how damaging names can be.
                    DR. MARROW
          Kid, what are you talking about. I
          called him creepy for a reason.
          Didn’t you see all of this? Don’t
          you see what he did to my body?
          Unbelievable. How thick are you? Of
          course this is creepy! If this
          isn’t creepy then...
                    WENDY
          Uhh, well Dr. Marrow, I’m just glad
          to know you’re safe and sound.
          Looks like I’ll see you soon for
          our family dog’s annual checkup,
          right?
                    DR. MARROW
          What! No, you’re banned from this
          animal hospital forever! "Why the
          long face"? I was in a state of
          shock and you mocked me! No, Wendy,
          you are the worst of them all.
And in a cloud of dust, Dr. Marrow and the animals are all
gone. The group gets into the cart.
                    WENDY
          You know, as far as experiences go,
          that was one of my worst.
                    SOOS
          Scarred for life, dude.
                    DIPPER
          Next time, Stan’s getting his own

parts.

Dipper, Mabel, and Soos group hug Wendy, and then they all
get back in the cart.

CUT TO

INTERIOR: MYSTERY SHACK TV ROOM
Dipper, Mabel, Soos, and Wendy all walk into the TV room and
then collapse on the floor. Stan sits in his chair watching
TV.
                    STAN
          What happened to you guys? And
          Mabel, what happened to that horse
          I stole, I mean bought, for you?
          And where’s my $500?!
                    MABEL
          We lost, Gruncle Stan. We lost to
          Pacifica and we didn’t make any
          money. But we found something far
          more valuable.
                    STAN
          Is it my pet parts? Where are
          those? Those are valuable.
                    MABEL
          Sir William found love, Stan. And
          we found love too.
                    DIPPER
          Along with a number of man-made

monsters.

                    STAN
          Aww, that’s supposed to be my job!
          Where’d you leave em?
                    WENDY
          At Dr. Marrow’s. They weren’t
          exactly in usable condition.
                    STAN
          Well, I’ll be the judge of that!
          You kids are useless!
               (he slams his newspaper down
               and walks out of frame)
                    SOOS
          Do we tell him?
                    WENDY
          He’ll find out himself from Dr.

Marrow.

The group laughs, then they realize how terrifying it was to
escape from that house of body-horror, ending in an awkward
series of groans at their various aches and pains.

37.

(CONTINUED)

CONTINUED:

38.

END

                    DURING CREDITS
Stan stands outside of Marrow’s Pet Paradise, yelling.
                    STAN
          Marrow, you hack! You owe me pet
          parts! Where are my pet parts? How
          I can I run a business on taxidermy
          monsters if you don’t give me the
          parts to make ’em? Huh? You know
          why? It’s cause you’re the real
          monster here, Marrow! Not giving my
          kids the parts I need! You’re a
          small-business killing monster!
Marrow’s Horse body comes to the window.
                    STAN

Eh?

The horse body opens its mouth and we see Marrow’s very
angry face.
                    DR. MARROW
          You want parts? Fine.
He snaps his horse fingers, and a flock of horse headed
parrots swoops down and picks up Stan by the shoulders,
carrying him high and far away. As he gets smaller and
smaller in the frame, we see Dr. Marrow’s horse head shake
in disbelief, and hear Stan calling gleefully from the
distance.
                    STAN
          Now this is more like it!
scriptsErik Kindel